





The sculptural portfolio gathers non-functional and altered ceramic forms, including Mark’s twisted-top bottles. Many begin on the pottery wheel before they are compressed, joined, carved, or reshaped so that the finished object carries both the balance of a thrown form and the energy of hand alteration.
Rather than serving a single practical purpose, these vessels are intended to be viewed from changing angles. Neck, shoulder, opening, and surface rhythm all contribute to the silhouette, while glaze gathers in recesses and breaks across raised texture. The result is a one-of-a-kind ceramic object with a strong physical presence.
Two recently photographed closed forms bring raised black texture into direct conversation with color and silhouette.

A tall closed form divided by a tactile black vertical passage, with pink and maroon surfaces changing across the curve.

A softly rounded pale blue bottle centered on a glossy black field of raised pebble-like marks.





